When the photographer becomes a storyteller: A short journey into documentary photography

For its 2022 edition, Personal Structures is pleased to exhibit, among the many photographers on display, several very important names in the field of documentary photography: Alissa Everett, Martin Parr, Yoshiaki Suito, Daisuke Ozaki, Sandra Cattaneo Adorno and Peter Bracke.

Photo credits: Federico Vespignani

Through their shots, they portray events and faces, glimpses of real lives more or less close to us, capturing lights and shadows from different perspectives. A subjective point of view, that of the documentary photographer, which at the same time requires an absolute objective reliability.

It should go without saying that documentary photography has the intent of documenting. Starting from the second half of the 19th century, photography was used to record epochal events, like the dismantling of the Crystal Palace in London in 1852, in order to leave visual testimony for posterity.

Towards the end of the century, documentary photography became much more than a mere recording of facts: images of underprivileged classes of the society began to be shown and conveyed, denouncing conditions of poverty and degradation. The camera, therefore, started to become an important instrument for social criticism ー a significant tool of storytelling  that achieved greater impact than writing thanks to its visual representation.

Sandra Cattaneo Adorno Installation | Photo credits: Matteo Losurdo

But it is with the two Great Wars that documentary photography acquired an even more crucial role, going far beyond the sterile recording of historical events of global significance, and slipping through the strict definition of being an instrument of denunciation. Every aspect, from the conditions of a soldier in the trenches and international diplomatic meetings to fragmented daily lives and moments of camaraderie, was entitled to become a story to be told. And most importantly, all of those stories had to be told in the immediate, not just handed down to future generations.

Today, all of these aspects are brought together in contemporary documentary photography. The need to record and/or denounce an event, the importance of raising social, political and cultural awareness, the urge of triggering a reflection. Within this field, the approaches can be very different, as every photographer is a storyteller of its own.

For example, the shots by Martin Parr, which can be seen in Palazzo Mora, have a spontaneous style as it is the photographer’s hallmark to capture casual moments from everyday life. The criticism of leisure and consumerism of today is often imbued with a sense of humour, telling stories that stand on a precarious balance between sympathetic irony and social satire.

Martin Parr Installation | Photo credits: Federico Vespignani

Martin Parr

On the other hand, Alissa Everett’s presentation Covering Beauty, exhibited in Palazzo Bembo, is characterised by the photographer’s own narrative of conflict zones, through colourful shots and portraits of human dignity. The narrative told by Alissa takes place in houses and tents of locals, showing situations of trust and intimacy, courage and vulnerability, and sometimes even unexpected joy.

Alissa Everett Installation | Photo credits: Chiara Dalla Rosa

Another interesting example is that of Peter Bracke, who through his installation in Palazzo Mora shows us his personal and dreamlike documentation of Rome. An introspective project imbued by suspended atmospheres, which aims at a representation of a city known by all, in a way known only by the photographer.  In this case, what is told and documented is not Rome itself, but the feelings that may arise when crossing it.

Peter Bracke Installation | Photo credits: Federico Vespignani

Each of the photographers at Personal Structures convey the reality around them differently, and it is this difference that makes documentary photography a field worth exploring, worth celebrating and sharing. The importance of documentary photography can be found in all of its nuances and approaches. Especially now, where the boundaries between fact and fiction are becoming less tangible every day, making the need for documentary photographers more essential than ever.

They are witnesses, chroniclers writing with images, who bear a significant responsibility: to tell a story that also tells the truth.

 

written by Suzanne van der Borg

You can visit all participant's installations at Palazzo Mora and Palazzo Bembo until the 27th of November or discover their work by exploring the virtual tours online. Discover more about the artist on their profiles online.

When the photographer becomes a storyteller: A short journey into documentary photography

For its 2022 edition, Personal Structures is pleased to exhibit, among the many photographers on display, several very important names in the field of documentary photography: Alissa Everett, Martin Parr, Yoshiaki Suito, Daisuke Ozaki, Sandra Cattaneo Adorno and Peter Bracke.

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